I’ve received an advance copy of Chuck Colson’s The Faith from Zondervan to review. I’ll give a more thorough review later, but right now want to mention one interesting contrast.
In crediting his influences, Colson identifies himself as an evangelical and Calvinist with Dutch Reformed influences. That’s where I stand as well. However, my biggest criticism for the book is that, after explaining the faith handed down once and for all, he appears to want to use it as a means to preserve and renew Western culture. His underlying concern, then, appears to be the preservation of Western society against militant Islam, intellectual Atheism made popular through recent books, and the loss of truth from postmodern relativism. While I agree with our need and duty to engage in apologetics, I argue that our reason for doing so is not to preserve our society or expand the boundaries of our culture. Rather, it’s to engage the world, in both the local and global scene, with the Gospel and Apostolic tradition.
So, while I am more aligned theologically with Colson, I find myself agreeing with Gregory Boyd on The Myth of a Christian Nation. The church is part of the eternal kingdom of God, rather than a temporal, earthly kingdom. A recent program on Michael Horton’s “The White Horse Inn”, Political Temptation, dated 1/27/08, (available as a podcaset on iTunes) promotes an understanding of the church as a separate entity from the state – whose job it is to proclaim the Gospel and administer the sacraments – that would be, surprisingly, more akin to Boyd (an Open Theist) than to Colson, a fellow Calvinist.
When I saw the trailer for Rambo (IV) about a month ago, I wondered if Sly Stallone would try to use the church marketing he had for Rocky Balboa. In case you didn’t know, Sly wanted churches to employ some of the marketing tactics that worked so well with The Passion of the Christ. Pastors could show clips from the movie as sermon illustrations! I wondered if that would happen here with Rambo as well. First, it would continue the trajectory: Passion: the hero is beaten, tortured and killed for our sins; Rocky Balboa: the hero now beats another man in the name of that first hero, for whom he has reverence; Rambo: the hero now kills in the name of and to rescue the servants of the Passion hero (Rambo rescues Christian missionaries). I’m glad that the church marketing hasn’t been used for this film.